At this point I’m still reading the Book Thief, and things just keep getting tougher. The war is constantly escalating, and Death is starting to complain about the amount of souls that he has to carry into the afterlife. Life at Liesel’s house also changed drastically. An old favor that her father, Hans, owed from WWI when he was a soldier, came into play. What it basically came down to, was that during WWI Hans was saved by his friend, Erik Vanderburg, and because of this, the favor came into play. His friend didn’t survive, but he was survived by his son, Max. I guess that an important thing to add would be that the Vandenburgs are a Jewish family. In order to pay back his friend who is now long gone, the Hubermanns took in Max. The rest of Max’s family was long gone, either dead or disappeared into parts unknown.
From the book, we learn early on that Hans Hubermann is a man with a big heart, and always willing to help others instead of himself. But what sure prized me the most was his wife’s reaction to basically rising their lives to hide a Jew. In case I haven’t described Rosa Hubermann, here it is. She’s an extremely harsh woman, and berates Liesel and her husband whenever she can, or feels like it. She’s also a very practical woman, and she’s always unfazed and prepared for the worst.
As soon as Max comes into their lives, most of that changes. Rosa doesn’t continue with her constant anger that’s usually aimed at her husband and foster daughter. She makes sure that Max is as comfortable as he can be living in the freezing basement of the Hubermann’s house. He has to stay in the basement during the day so that no passerby would be able to see him through the windows of the house, and at night he would come up the stairs, and try to warm his frozen bones by the fire.
I find this sudden change in Rosa amazing. At the start she’s a woman that loves, but doesn’t show it. As Max comes into their lives, a tenderness emerges that we never even knew was there. To be honest, for the first few chapters in which kind Rosa resided I was a bit confused as to where the real Rosa Hubermann went. But then it hit me how kind of awesome, but at the same time sad the transformation was. It was amazing because once this stranger entered their lives, Rosa became a new person, yet at the same time it was sad, because it was this stranger that made this change that neither Liesel or Hans could've made in Rosa. She completely changed who she was for a boy who she had never met before. But perhaps part of that care that she gave him came from the fact that he needed her to live. Liesel and Hans were capable of going off on their own, and her not needing to worry about them too much. Maybe part of the reason that she berates Hans and Liesel is that deep down she really cares for them, but doesn’t know how to show it. She’s definitely a more complex character than she seems.
So, you are Ok with Rosa's transformation? It almost sounded like it was a flaw in character development, but then you say that you understood that it was the arrival of the boy. I just wondered because I have read books where that has happened and I just couldn't swallow the character change/shift when I didn't have any hints that this kind of transformation was possible. If you think back, did the author plant the seeds for this change in Rosa earlier -- are there any hints?
ReplyDeleteNice summary of events. It seems like you have a very clear understanding of plot and motives. I especially like how you talk about what you know about certain characters. You are able to attribute some unique characteristics, which is good. I assume you are reading like a writer by picking up on details the author provides,and making assumptions about the characters that way. You are a perceptive reader and noticed that, as events unfolded, certain characters like Rosa transformed. I like that you took note of this, and analyzed this change. I can tell you are an engaged reader by how you are thinking about and questioning the author's choices. Nice work!
ReplyDeleteWow… The Book Thief. That’s some book, isn’t it? Not that I would really know, I guess. I have tried so many times to read this book. It’s been a struggle, Leksi. It really has.
ReplyDeleteReading your descriptions though… I don’t know, I might have to give it another shot. It just seems like the author is creating this really complex, detailed world that would be worth looking into again. Referring back to one of your earlier posts, I find it funny that by personifying Death as the narrator, the layout of the story seems more “realistic”. Because we wouldn’t imagine Death as a solid being able to narrate a story normally, but at the same time, Death is an omnipresent force in all of our lives, right? I liked how you discussed that. Also, I think another variable that might be cool for me to discover when (if) I read this book, is if Death seems emotionally invested or removed from the situation, and if that makes a difference in the feel of the story.
From what I got from your blogs, I think it’s really apparent that you’re good at reading as a writer. I like how you noted the character shift very directly- you definitely knew when, where, and why it occurred. It was cool to be able to read through your thought process as you puzzled through the reasoning for this character shift. By doing so, I think you dug your way down to a new layer of the authors intent. It’ll be cool to see if your theories line up as the book progresses.